A Nordic Bronze Age razor

The people of the Nordic Bronze Age regarded the sun as one of their most important symbols. It appears in every conceivable context – on rock carvings and bronze ritual objects, on weapons and jewellery, and even on everyday items.
  • Stone Age

    12,000 BC – 1700 BC

  • Bronze Age

    1700 BC – 500 BC

  • Iron Age

    500 BC – AD 1100

A bronze razor with a curved gilt handle.
Bronze Age razor from Håga. Photo: Ola Myrin, The Swedish History Museum/SHM (CC BY 4.0).

On their own, these sun motifs don’t reveal much about how the myths of the Bronze Age were constructed. But together, they tell a story – a tale of the sun’s journey across the sky and down through the underworld. So says Flemming Kaul, a Danish archaeologist and specialist in the Bronze Age.

He has proposed an interpretation of Nordic bronze razors as bearers of a solar myth. Some of the most exquisite examples are decorated with beautifully crafted images of ships, suns, and various animals. These razors are part of the collections of the Swedish History Museum from the late Bronze Age, dated to around 1100–500 BC.

A bronze knife with a curved handle. The knife is green of age and decorated with circles.

Razor with probable sun symbols

Razors were among the most important grave goods for men throughout the entire Bronze Age, from 1700 to 500 BC. Even as burial customs evolved and grave offerings became increasingly scarce, these small razors remained – sometimes worn down from frequent use, sometimes preserved in pristine condition.

A knife with curved handle, decorated with lines and circles.

Razor

Images and symbols

The images on the razors can almost be read like a form of pictographic writing. The ship, the sun, the fish, the bird, and the serpent are the symbols that make up this visual language - along with the razor itself.

The razor is shaped like a ship, with a handle depicting either an animal head or a spiral. According to Flemming Kaul, the direction of the ships depicted on the razors is key to how the motifs should be interpreted. Some face left, others right.

Nearly 400 razors have been studied as part of Kaul’s interpretation of a myth depicting the sun’s daily journey. The imagery is arranged in a cyclical sequence around a wheel cross – one of the most common motifs in rock carvings, interpreted both as a solar symbol and as a wheel.

The myth of the sun’s path

The interpretation by Danish archaeologist Flemmin Kaul is as follows:

  • In the morning, the rising sun is pulled upwards with the help of a fish. The fish travels with the ship for a time but is soon replaced by a bird.
  • At midday, when the sun reaches its zenith, a horse takes over and draws both ship and sun onwards.
  • In the afternoon, the ship alone guides the sun. By evening, a serpent or dragon pulls the ship and sun down below the horizon.
  • The sun’s night-time journey is symbolised by a ship sailing leftward with no sun depicted.
  • Occasionally, the fish is shown swimming beside the ship, ready to resume its task at dawn. The circle is complete, and a new day begins – part of the sun’s eternal, divine voyage.
Square edge decorated with lines and circles.

Detail of a razor

Myths around the Mediterranean

What do sun myths look like in other parts of Europe and the Mediterranean during the Bronze Age? We know, for instance, that the ship, the sun, and its day-and-night journey were central themes in ancient Egyptian religion at the same time as Sweden’s Bronze Age – something that has influenced Kaul’s interpretation.

Naturally, religion and mythology differ widely across Europe and the Mediterranean world. Yet it’s still possible that certain shared, fundamental beliefs about the sun’s journey once existed. Could it be that there’s a worldview here in northern Europe that runs parallel, at least in part, to the Egyptian conception of the sun’s path? That is the question Flemming Kaul has now raised through his thought-provoking contribution on the symbolic role of razors as carriers of a solar myth.

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